The Dalhousie Opera Workshop is changing up the tune from last year鈥檚 Sweeney Todd and transforming the Dunn Theatre 鈥� cabaret-style.
Kabarett, opening Thursday, features German composer Kurt Weill鈥檚 Mahagonny Songspiel, followed by a musical review of Weill鈥檚 later work along with pieces by other cabaret composers.
The Opera Workshop performance is one of the highlights of the Department of Music鈥檚 season each year.
鈥淚 think it鈥檚 really exciting, very different from what we鈥檙e used to doing,鈥� said Meg Jamieson, third-year voice student, who plays Jessie in the show.
Discovering the pieces
Jamieson's comment about Kabarett being different is true in several ways, but perhaps one more prominently than others: this is the first Department of Music opera in recent years that is not primarily sung in English. The centrepiece of the opera, Mahagonny Songspiel, is sung in English and German, with translations of the titles projected on screens for the non-German speakers in the theatre.
Meghan Jamieson, Jeremy Dutcher, Brittany Cann in Kurt Weill's "Mahagonny Songspiel."
The complexity of Weill鈥檚 music has kept the cast busy since the fall, understanding the notes and the story. Luckily, their talent and training makes the task slightly easier.
鈥淭he talent in the music program is amazing,鈥� says Mary Lou Martin, making her debut as director for the Opera Workshop with Kabarett. Her direction and the plain canvas of the cabaret style show have given the performers an opportunity to interpret and understand the various emotions in the pieces.
鈥淪he took an abstract show and let us figure out it out for ourselves,鈥� says Jamieson. 鈥淲e can take a lot more pride because we were given our own creative license.鈥�
Commentary through music
Not only has the director allowed for self interpretation, but the timeless theme of Weill鈥檚 Mahagonny Songspiel also granted the students creative license.
鈥�Mahagonny Songspiel is about the decay of society,鈥� says Marcia Swanston, producer and voice area coordinator in the Department of Music.
The story follows characters who are lured to the new city of Mahagonny with the promise of a faster, easier life, but their experience falls short of the high expectations. The newcomers discover that Mahagonny is a trap and become unhappy with their new life.
Cabaret is considered social commentary in the form of music and Weill鈥檚 commentary through Mahagonny Songspiel resonates today鈥檚 society, says Martin.
鈥淚 feel politically we鈥檙e at a very parallel place right now,鈥� she said.
Brandon Adams, second-year transfer student in the Department of Music, agrees.
鈥淸Weill is] making many, many commentaries on the destruction of society 鈥� a lot of that you can related to right now,鈥� he says.
Kabarett runs from Thursday, January 31 until Sunday, February 3 in the Sir James Dunn Theatre, Dalhousie Arts Centre. Performances are at 7:30 p.m. except for Sunday, which is a 2:30 matinee. For tickets, visit the .