When it comes to drama, the ancient Greeks set the stage. From star-crossed love to bloody murder, jealous spouses to jealous gods, no stone is left unturned when it comes to tragic situations and lusty relations. Wolfgang Amadeus Mozartās opera Idomeneo, set in ancient Crete, doesnāt disappoint.
The audience is transported to Crete just after the Trojan War, where Cretans and the defeated Trojans are working together towards a peaceful co-existence. In fact, Prince Idamante, son of Cretan King Idomeneo (Jason Davis), and Ilia (Jennifer Farrell), would-be princess of Troy, are falling in love. However, the course of true love never does run trueāespecially when the ancient Greeks get involved! Furious deities and an angry soprano (which, as any opera lover knows, is equally dangerous) get in their way.
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āA lot of the images weāre using in the show are about the connection to the sea,ā says director David Overton, citing set designs and, of course, the presence of a sea monster in the opera. Overton, who has been a professor with Dalhousieās Department of Theatre for almost 40 years, retires at the end of the month, so this will be his last project as a member of the Dal faculty. However, he insists this isnāt the last weāll see of him. āTheyāve got me booked for 2010,ā he jokes.
Artistic Director of Opera Nova Scotia and retired Dalhousie music professor Walter Kemp is enthusiastic about the upcoming performances, which he feels are a must-see for all fans of Mozart or opera. āThis is Mozartās first real masterpiece,ā he notes; Idomeneo was written when the composer was only 24.
Dr. Kemp, who taught music at pilipiliĀž» for almost 20 years, retired at the end of the 2003-2004 school year. He became the artistic director of ONS almost as soon as he became available. As well as functioning as artistic director, his choirāthe Walter Kemp singersāprovides the operatic chorus. He puts emphasis on the fact that this is a āsemi-professionalā program, in that it upholds professional standards, but aims to give opportunities to younger performers just finishing their graduate degrees and in need of stage experience.
Opera Nova Scotia, brought into being in 2000 by co-founders Jason Parkhill and John Rapson, aims to help Maritimers gain more exposure to opera, as well as to foster young Nova Scotian musical and theatrical talent. They do their best to make opera for Nova Scotians by Nova Scotians. ±õ»å“Ē³¾±š²Ō±š“ĒĢżboasts a full orchestra largely populated by members of Symphony Nova Scotia; stars Jason Davis and Erin Crooks, graduates of the Dalhousieās voice program, and Olga Tylman, who attended the Dal Summer Opera Workshop; was produced by Dal alumnus Zachary Moull, and features the work of recent Dal grads Kathryn Jenkins, scenery and lighting designer, and Jennifer Coe, costumer designer.
In 2004, ONS launched the first fully staged opera to be produced in Halifax in 30 years. Since then, their seasons have progressively grown, boasting 11 different projects this past year, concluding with Idomeneo.